In this quiet entanglement of body, nature, and myth a reclining figure seems suspended between water and air, as if caught in the fine tracery of spider silk threads. The translucent tones of water suggest both fragility and strength -- threads binding yet freeing, tethering yet allowing drift. The imagery of ripples, reeds, and a beached mermaid resonates here, as the script captures that liminal state between movement and stillness, belonging and release.

Christmas Magazine Archive 2015




Spinsters by Emma McKervey

In this week by the lake tiny spiders have netted my skin.
At first I picked them off and settled them carefully
on some invisible current of air to ply their spindle elsewhere.
But now I let them roam at will, leaving their fine tracery
to bind my limbs and stream in the ripples of my wake;
tresses of a beached mermaid spinning beyond the tide line
and reaching along the shore.

The breeze carries these silken threads, spreads
my sfumato image across the forest;
the curve of bicep hangs loose from a young larch,
my shoulder blade caught in the crook of a pine,
and my nape swung free out over the water --
suspended now, taut, between the reeds.


Illustration used for the Poem

Beatrix Potter (1866-1943), The Mice at Work. Threading the Needle, 1902
Style: Art Nouveau (Modern) | Series: Illustrations for The Tailor of Gloucester*

Potter illustrates a mouse deftly threading a needle while others tangle with pink thread in the background. Created for The Tailor of Gloucester, the scene blends Art Nouveau detail with whimsical storytelling, capturing the charm and industry of her beloved animal characters.


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